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Home2026(Page 2)
April 16, 2026

FRAME AND SOUL: 
Design, Process, and Execution Across Time


A 17th-century architectural frame in ebony and hardstone is reunited with its soul: an Ecce Homo in glazed terracotta created by sculptor Giuseppe Ducrot (Rome, 1966). Giuseppe Ducrot (b. Rome, 1966), Ecce Homo, 2026. Glazed terracotta, 12 x 9,5 cm, signed «G. DUCROT / I-2026» + Roman Baroque Workshop, Altar

Frame & Soulnews
April 16, 2026

TEFAF Maastricht 2026

MECC Maastricht, The Netherlands March 14 – 19, 2026 March 14 and 15: 11 am – 7 pmBy invitation only March 16 – 19: 11 am – 7 pmSTAND 126

exhibitionsTEFAF
March 16, 2026

Highlights from TEFAF 2026

We look forward to welcoming you at our booth n. 126 until Thursday 19th March. Here are some highlights… see you at Tefaf.

newsTEFAF

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ALL EXHIBITIONS

NEWS

WP_TEFAF26_Stand126
TEFAF MAASTRICHT 2026
Season's Greetings
The gallery will be closed from December 24th to January 6th
WP_ACR25_PRESS
Rome. Images from the Eternal City
ACR25_Stand39
Arte e Collezionismo a Roma
The gallery will be closed for holidays from August 2nd to August 24th

WALTER PADOVANI
Via Santo Spirito 26/A · MILANO
Tel. +39.02.76.31.89.07
VAT 03211000967

galleria@walterpadovani.it

walterpadovani

A subtle dialogue of style, geography and colour b A subtle dialogue of style, geography and colour brings together the honeyed tones of a Neoclassical console table and the dazzling chromatic richness of three rare and precious pietra dura panels.

The luminous purity of the marble Portrait of Orazio Carlo Pucci casts its light across the installation, completing a narrative that unfolds through three centuries of Florentine history, artistry and connoisseurship.

At our BIAF stand, devoted to Florence, further masterpieces of sculpture await discovery.

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#biaf #biaf2026 #palazzocorsini #antiques
For the 34th edition of BIAF, we present a marble For the 34th edition of BIAF, we present a marble portrait of Orazio Carlo Pucci, carved in Rome in 1824 by Francesco Pozzi, a fascinating sculptor poised between the Canovian tradition and Bartolini’s naturalism.
Another tribute to Florence: to one of its sculptors and to one of the city’s distinguished citizens.

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Giuseppe Bezzuoli, Portrait of Francesco Pozzi. Private collection. 
Francesco Pozzi, Portrait of an Unknown Gentleman, 1822. Private collection.
Francesco Pozzi, Funerary Monument to Michał Kleofas Ogiński, detail of the bust, 1833. Florence, Santa Croce.
Francesco Pozzi, Self-Portrait (from the Funerary Monument), c. 1835. Florence, Santa Croce.

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#biaf2026 #francescopozzi #portraitsculpture #neoclassicism #oraziocarlopucci

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